BILOXI MEMORIES AND THE BROADWATER BEACH HOTEL
Bathing beauty contests, schooners, early hotels, fantasy islands, pristine beaches, and a landmark lighthouse drew people to the Gulf coast. For many visitors, Biloxi and the Broadwater Beach Hotel are forever linked in their collective memories.
Former hotel manager Jack Stanford describes owner Mrs. Joe W. Brown (Dorothy Dorsett Brown) as a woman who “. . . knew what she wanted and how to get it.” Mrs. Brown’s renovations included the spa-like Lanai pool, and the luxurious Lanai rooms. During her tenure, Leon Kelner and his band played at the Broadwater’s Royal Terrace to rave reviews. Families held reunions and returned to the Broadwater year after year. New Orleans bride Leslie Landry enjoyed her first honeymoon at the hotel so much that she rebooked it for her honeymoon with husband number two. Long-time guest Dottie Ziegler’s favorite Broadwater event was the annual talent show to raise money for the Jerry Lewis Muscular Dystrophy telethon. Broadwater guests could also arrive by boat and dock their yachts at the Broadwater Marina which had its own lighthouse and restaurant.
In BILOXI MEMORIES AND THE BROADWATER BEACH HOTEL, visitors and residents share special moments. “Back in the seventies we’d go to the Fiesta Lounge in Biloxi,” recalls New Orleanian Jerry Montalbano. He also remembers big bands and good times. Elaine Stevens recalls the line-up of stellar performers who appeared at her father’s Gus Stevens Restaurant and Nightclub, including the glamorous Jayne Mansfield and the events that led to her fatal accident. Bob Mahoney is proud to point out that his mother’s restaurant Mary Mahoney’s Old French House is featured in John Grisham’s novel Runaway Jury.
Biloxi began as a small fishing village, and the warm waters of the Mississippi Sound still provide an abundance of seafood, as well as serve as a playground for swimming, sailing, and strolls along the beach. The documentary visits the George Ohr Museum which exhibits the creative works of the self-proclaimed “Mad Potter of Biloxi,” and explores the role of Keesler Air Force Base in the development of this coastal city.
Despite hurricanes that have tested the resolve and resilience of its citizens, Biloxi continues to reinvent itself. In the nineteenth and twentieth centuries, shrimp and oyster factories lined the coastline. Today, casinos are the big draw.
In his song “Down in Biloxi,” composer and lyricist Ray Fournier captures the flavor of the city: “Every night and every day, they’re having a party down on the Gulf Coast, down in Biloxi.”
Barbara Sillery is the producer, director and writer. Peggy Scott Laborde is the executive producer and narrator. Paul Combel is photographer. Editor is Larry Roussarie. Dawn Smith is the associate producer.